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Weaving Exhibit
Coverlets
Special Exhibit
March 2002
Weaving
Weaving is a complicated process whether the
topic is approached from the preparation of the flax, cotton or wool that was used to
make the finished material or the actual weaving process.
Because of the types of coverlets that were
loaned to Allison-Antrim Museum for this exhibit and the 1830 to the 1870's time
period, I will only try to describe the treadle and Jacquard looms, and double
cloth coverlet, Jacquard coverlet, and single coverlet.
In the early part of this time period, the
lady of the house would have probably provided the wool used in making her
coverlet. She would have had to shear the sheep, card, spin, and sometimes dye the wool.
The amount of wool, measured in pounds, she gave the weaver would be returned to
her in the coverlet. The weaver probably would have supplied the cotton yarn
used for the warp. The weaver purchased the cotton yarn from mills in this area
(Hagerstown and Fayetteville) that had the capabilities to card and spin the cotton. In
the eighteenth century the customer would have also provided the flax that would
have been used for the warp threads. From cutting the flax plant to having
finished flax yarn was a much longer and involved process than spinning cotton
or wool. In
the middle to later part of this time period, the customer may have supplied a
certain poundage of wool to the weaver in a mill but it was not guaranteed that that
particular wool would be returned to the customer in his/her coverlet.
There were weavers in most populated areas.
The products they produced for consumers included carpeting, linen, woolen,
flannel, bagging, tow, coverlets, linsey-woolsey, table linens, and blankets.
Their looms were treadle looms that were
operated with the feet. These looms produced only plaid and geometric patterns.
The more harnesses, the more intricate the pattern. Coverlets produced on this
type of loom had a seam up the center.
The invention by French weaver Joseph Jacquard
of the Jacquard loom was the beginning of the mechanization of weaving. The Jacquard
attachment could also be used on its narrower predecessors but the resulting
coverlet was seamed up the middle. The later
Jacquard looms were broad looms, much wider than the conventional loom of the
day. This allowed a wide coverlet to be made without a seam. The heart of the attachment was actually a
set of punch cards, similar to the music rolls in a music box. The punched holes
activated the harnesses in a certain order that produced many, very ornate
intricate designs. Jacquard coverlets were known for their elaborate borders.
Sets of Jacquard punch cards could be purchased for many different patterns.
Jacquard invented his namesake loom about
1800. The first Jacquard loom did not make its way to the United States until
about 1820.
Double Cloth coverlets were constructed of two
"webs" or warps (threads that run vertically). The two webs were
joined in a particular way so that the front and back were mirror images. The
space between where the designs are joined can be pulled apart like a pocket.
Single coverlets had one warp set and one weft
set. They were not made on a Jacquard loom but on the earlier multiple-shaft
treadle loom.
Compiled by Bonnie A. Shockey
March 2002
Resources:
Rural Pennsylvania German Weaving 1833 - 1857
and the Christian Frey and Henry Small, Jr. Pattern Books,
Tandy and Charles Hersh, 2001
America's Quilts and Coverlets,
Carleton L. Safford and Robert Bishop, first published 1972, second printing
A Checklist of American Coverlet Weavers,
John W. Heisey
Exhibit
May be slow to load.
1
Jacquard woven coverlet - red, blue, and
green wool weft on off-white cotton warp with "Greencast. F. Co. Pena
183_", Four Roses pattern with Grapes, Leaf and Vine border,
geometric outer border, seamed
On loan from the Washington County
Historical Society |
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2
Jacquard woven coverlet - red and blue wool
weft on off-white cotton warp. It was made for S. J. Shepler, Greencastle,
Franklin Co Penna 1837 by weavers Ambrouse and Bohn. Sunburst and Lily
pattern with Double Bird and Roses border, seamed (The same as No. 3.)
Allison-Antrim Museum Collection
A gift from Margaret Shughart, Boiling
Springs, Pennsylvania It belonged to her grandmother, Della Mae Pensinger
Stine.
In John Heisey's book A Checklist of
American Coverlet Weavers he lists two weavers with the name Bohn in
Greencastle. Adam Bohn whose name appears with the name Ambrouse on No. 2
and 3 and then a Jacob Bohn. |
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3
Jacquard woven coverlet - Red and blue wool
weft on off-white cotton warp, 1836, with the name "M Sellers",
Greencastle, Franklin Co, Penn and the weaver, Ambrouse & Bohn.
Sunburst and Lily pattern with Double Bird and Roses border, seamed (The
same as No. 2.)
Made for Mary Elizabeth Sellers
Barnhart, great-great-grandmother of and
On loan from Bob Zimmerman and his wife,
Pat |
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4
Jacquard woven coverlet - Red, olive green,
and blue green wool weft on off-white cotton warp, "Made by G. Baer,
Antietam Factory, F. County, Pa, 1856, seamed. Four Roses with grape
border. Same pattern as No. 5 but with different border and color
blocking.
The weaving in No. 4 and 5 seems to be
much finer (more threads per inch) than in the other coverlets.
Baer's weaving factory was on what is
now the Waynesboro Country Club Road in Washington Township.
On loan from David Thomas, The Historic
Fairfield Inn |
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5
Jacquard woven coverlet - Red, forest green,
and blue green wool weft on off-white cotton warp, "Made by G. Baer,
Antietam Factory, F. County, Pa, 1856, seamed. Four Roses with oak leaf
and flower border. Same pattern as No. 4 but with different border and
color blocking.
On loan from David Thomas, The Historic
Fairfield Inn |
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6
Jacquard woven coverlet - Red and blue weft
on off-white cotton warp, "Eliza Beth Miller, 1837, Arnold, Chamb
g", seamed. Four Roses pattern with Double Bird and Tree border, with
a double row of eight-pointed stars for an outer border. Brilliant colors.
Arnold was a Chambersburg weaver.
On loan from David Thomas, The Historic
Fairfield Inn
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7
Jacquard woven coverlet - Red, blue, and
medium blue wool weft on off-white cotton warp, "Peace and Plenty,
1850", seamed. Snowflake Medallion pattern with Double Bird and Tree
border and a single row of eight-pointed stars outer border. Brilliant
colors. This is the only coverlet in the exhibit with hand-knotted warp
threads. Possibly attributed to Arnold.
On loan from David Thomas, The Historic
Fairfield Inn
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8
Jacquard woven coverlet - Red, green, and
forest green wool weft on off-white cotton warp, "J. N. Schultz,
Mercersburg, Pa, Made for B. F. Foreman, 1867", no seam - made on a
broad loom. Medallion with wide flower borders.
On loan from David Thomas, The Historic
Fairfield Inn
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9
Jacquard woven coverlet - Red, blue, and sage
green wool weft on off-white cotton warp, "Martha Metz, 1840, G.
Nicklas, Chamb g", seamed. Four Roses with Double Bird and Tree
border and a double row of eight-pointed stars for the outer border.
G. Nicklas (weaving circa 1820 - 1860)
was born in Germany and immigrated to Pennsylvania where he settled in
Chambersburg. He is listed in the 1850 U.S. Census as a carpet weaver. His
will, dated January 24, 1860 directed that his looms, fixtures, and dye
kettle be sold to his nephew, Peter Nicklas for $200. Peter Nicklas was
the first minister of the King Street United Brethren Church in
Chambersburg.
The business prospered and expanded into
furniture with his brother, Adam, and eventually into a chain of Nicklas
Furniture stores in Chambersburg, Hagerstown, and Martinsburg.
Peter's daughter, Drucilla, married
George Kress who became minister of the Greencastle Presbyterian Church in
the 1930's. Adam's daughter, Rachael, was the mother of the late Dr.
William C. Brewer of Greencastle.
On loan from Mrs. William Brewer,
Greencastle
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10
Jacquard woven coverlet - Red, blue, forest
green wool weft on off-white cotton warp, "Made by G. Nicklas,
Chambersburgh, Franklin County, 1850", made on broad loom - no seam.
Brilliant colors. Double lily medallion with rose and oak leaf border, and
harlequin outer border. No. 10 & 11 are the same pattern and border.
On loan from David Thomas, The Historic
Fairfield Inn
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11
Jacquard woven coverlet - Red, blue, sage
green wool weft on off-white cotton warp, "Made by G. Nicklas,
Chambersburgh, Franklin County, 1855", made on broad loom - no seam.
Double lily medallion with rose and oak leaf border, and harlequin outer
border. No. 10 & 11 are the same pattern and border.
On loan from Mrs. William Brewer,
Greencastle
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12
Jacquard double cloth coverlet - Red, blue,
and wine (red and blue are woven in such a way to produce the wine color )
weft on off-white cotton warp, seamed. Ingrain carpet pattern could have
used Jacquard carpet card on regular loom. Probably not Pennsylvania;
possibly Ohio as this piece won a blue ribbon in the Medina, Ohio county
fair (no year given). This coverlet has been in the Bonnell family for
three or four generations.
On loan from Al Bonnell, Greencastle
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13
Jacquard double cloth coverlet - Red,
blue, green weft on off-white cotton warp, unmarked, made on a broad loom
- no seam. Patriotic eagle with 16-pointed star medallion in the center
indicates it was probably made circa 1876 for the Centennial celebration.
Large seashell border.
On loan from Mrs. Jack Burns, Greencastle
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14
Jacquard woven coverlet - red, green, blue,
and purple weft on off-white warp, unmarked, no seam, ca. 1870. Purple is
an unusual color for coverlets.
From the Coble estate, Mercersburg, Pennsylvania
On loan from Ralph Baker, State Line |
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15
Jacquard woven coverlet - Red, blue, and
green wool weft on off-white cotton warp with the name "Susanna Wertz
1841", seamed. Four Roses pattern with a traditional quilting feather
pattern border and a double row of eight-pointed stars for an outer
border. Brilliant colors.
Susanna Wertz was the mother of Harry
Wertz McLaughlin, founder and owner of the Hotel McLaughlin (currently
known as the Antrim House).
On loan from Dr. and Mrs. James H.
Craig, Jr., Greencastle |
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16
Single coverlet (one warp set and one weft
set) - Navy blue and off white, 1830 - 1850's, seamed. Plaid pattern -
Birdeye and Twill (a combination of point twill and turned twill). It is
unusual to use only two colors for a plaid; usually there are three
colors.
This is the only example of a single coverlet in the
exhibit. It was not made on a Jacquard loom but on the earlier
multiple-shaft treadle loom.
This coverlet was in the Oaks family of
Greencastle-Antrim and was given by Mrs. John (Ruth) Oaks to and is
On loan from Joseph Henson, Chambersburg |
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