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Large Bedroom
Large Bedroom:
On the right, as you enter from the children’s
bedroom – Lithograph prints from the Dr. Death series as published by R.
Acke rmann,
101 Strand, London, England in 1814.
They appear to have been published
consecutively on the first of each month. A few of the captions are:
Top Row, Right – “As it appears, though dead so long, each scull is found to
have a tongue.” Second Row, Left – “I’ll lead you to the splendid crowd, but
your next dress will be a shroud.” Third Row, Right – “On
that illumin’d scroll of fame Death waits to write your Lordship’s name.” The
themes illustrate the religious ideas of the early 19th century.
Death was believed to be directly connected to the way lives were led and could
be the result of sins such as vanity, pride, infidelity, rudeness, gluttony, and
cruelty. Illustrations and poems were ways of sending warnings from those who
had supposedly passed on to the spirit world, either heaven or hell, warning
those still living that death was coming and to be prepared.
Left of the Dr. Death series are two Currier and Ives lithograph prints,
1850, titled, “Stages of a Woman’s Life from the Cradle to the Grave” and
“Stages of Man’s Life from the
Cradle to the Grave.”

In the second row on the left is a German lithograph which illustrates
the paths one may choose to take throughout one’s life. The paths lead to
heaven or to hell. But a warning is also given that it is possible to start on
the right path to heaven, only to be led astray by wrong choices and in the end
find ones’ self in hell.
In the second row on the right, The Tree of Life * Christian, a
lithograph published by J. Baillie, shows all the virtues one must practice in
order to reach eternal life in heaven through grace. Some of those virtues are
prayer, fasting, joy, self-denial, control, humanity, compassion, justice,
fidelity, gentleness, benevolence, and industry. “Even so every good tree
bringeth forth good fruit” and, “Wherefore by their fruits ye shall know
them.” Matthew 7: 17 and 20
The sheaves of wheat art in the two shadow boxes are memorial pieces. The
one on the left is in remembrance of “Our Aunt” and includes her photograph but
no name.
Cross stitched,
wool on canvas, in memory of Barbara Lapp and John Smoker with
braids of hair from each one.
Jewelry Case:
Hair jewelry that includes stick pins, rings,
brooches, lockets,
and a braided hair watch fob made from the hair of someone’s
mother as indicated on the etched gold plate. Accessories include a tear bottle,
leather French coin purse, buttons, a black mourning chatelaine, jet bead
necklace, a gutta-percha necklace (in middle of case). (Gutta-percha is one of
the first natural plastics that was discovered from the extraction of the latex
resin from the Isonandra Gutta tree in Malaysia which contains more resin than
rubber. It is used in dentistry, and because of its non-conducting
properties, it is used as insulation for marine and underground cables.
Past uses include golf balls and
jewelry. )
The right corner of the display table and screens behind the table exhibit
U.S. Presidential
and other political memorabilia pieces. These items include
memorabilia pieces
for Presidents George Washington, Andrew Jackson, William Harrison, Abraham
Lincoln, James Garfield, William McKinley, and Franklin D. Roosevelt. Other
political memorabilia includes pictures remembering Napoleon and a funeral
badge for John M. Pattison, Ohio’s forty-third governor who was inaugurated in
January 1906. The rigors of the campaign left him in poor health and he died on
June 18, 1906 after only one session of the general assembly. Archival pieces
include postcard illustrations and a poem, “The Dying of a Soldier.” “Drape”
is pressed glass which commemorated the death of famous people. The drape
pattern (emulating crepe drape hung in homes) was different for each person for
whom commemorative pieces were designed. Pall bearer’s gloves and badge
were both part of the formalities of the funeral service.
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The left section of the table is devoted to books and catalogs that would have
been used by undertakers. |
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After the early 1800’s,
mourning customs turned away from the dark warnings of impending death (as seen
in the pieces on the display screens when you first entered) and shifted more
toward expressing love, respect, and celebration of the deceased’s life through
beauty. Popular symbols of death that were considered beautiful included the
weeping willow tree, urns, and tombstones. Churches, being the central point of
their spiritual journey from life on earth to heaven, were often included in
pictures. |
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On the display screens in the closet: Top row left to right -
watercolor on paper, hand-painted; hand-painted on cloth; lithograph published
by J. Baillie. Next row from left, four small pictures – very
finely-stitched, small oval, memorial picture dated 1790; embroidery and counted
cross stitch dated 1625; two perforated paper pieces, cross stitched, one for
Peter Smith dated August 12, 1853 and one for Mary. |
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Bottom row on left –
Simple pen and iron gall ink drawing; center – large, round, finely embroidered
picture, a memorial for three siblings who all died in 1805 just weeks apart –
Lucy Teel born 1799, died October 2, 1805; John Adam born 1802, died September
24, 1805; and Anna Teel born 1804, died September 21, 1805 leaving behind both
grieving parents; and on right – Hand-painted on cloth, never completed with a
name
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The hat has a mourning veil that is hip length. Displayed under the veil
are some mourning accessories – fan, mourning pins of steel and glass (late 19th
century) used to close clothing, mourning handkerchiefs, a mourning hankie
purse, and graduated, faceted jet bead necklace. |
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The photocopy of the May 1888
Harpers Bazar shows mourning fashions of the day. |
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large framed pen and iron gall ink piece recounts the tragic accident that took
the life of Samuel Garfield born on June 5, 1880 and drowned on April 30, 1895 |
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