Allison-Antrim Museum

                                     Greencastle, PA

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Large Parlor
Large Bedroom
Children's Bedroom

Large Bedroom
 

Large Bedroom: On the right, as you enter from the children’s bedroom – Lithograph prints from the Dr. Death series as published by R. Ackermann, 101 Strand, London, England in 1814.  They appear to have been published consecutively on the first of each month.  A few of the captions are:  Top Row, Right – “As it appears, though dead so long, each scull is found to have a tongue.” Second Row, Left – “I’ll lead you to the splendid crowd, but your next dress will be a shroud.”  Third Row, Right – “On that illumin’d scroll of fame Death waits to write your Lordship’s name.”  The themes illustrate the religious ideas of the early 19th century. Death was believed to be directly connected to the way lives were led and could be the result of sins such as vanity, pride, infidelity, rudeness, gluttony, and cruelty.   Illustrations and poems were ways of sending warnings from those who had supposedly passed on to the spirit world, either heaven or hell, warning those still living that death was coming and to be prepared.

Left of the Dr. Death series are two Currier and Ives lithograph prints, 1850, titled, “Stages of a Woman’s Life from the Cradle to the Grave” and “Stages of Man’s Life from the Cradle to the Grave.” 

 

 

 

In the second row on the left is a German lithograph which illustrates the paths one may choose to take throughout one’s life.  The paths lead to heaven or to hell.  But a warning is also given that it is possible to start on the right path to heaven, only to be led astray by wrong choices and in the end find ones’ self in hell.

 

In the second row on the right, The Tree of Life * Christian, a lithograph published by J. Baillie, shows all the virtues one must practice in order to reach eternal life in heaven through grace. Some of those virtues are prayer, fasting, joy, self-denial, control, humanity, compassion, justice, fidelity, gentleness, benevolence, and industry.  “Even so every good tree bringeth forth good fruit”   and, “Wherefore by their fruits ye shall know them.”  Matthew 7: 17 and 20

The sheaves of wheat art in the two shadow boxes are memorial pieces. The one on the left is in remembrance of “Our Aunt” and includes her photograph but no name.

 

 

Cross stitched, wool on canvas, in memory of Barbara Lapp and John Smoker with braids of hair from each one.

Jewelry Case:  Hair jewelry that includes stick pins, rings, brooches, lockets, and a braided hair watch fob made from the hair of someone’s mother as indicated on the etched gold plate. Accessories include a tear bottle, leather French coin purse, buttons, a black mourning chatelaine, jet bead necklace, a gutta-percha necklace (in middle of case). (Gutta-percha is one of the first natural plastics that was discovered from the extraction of the latex resin from the Isonandra Gutta tree in Malaysia which contains more resin than rubber.  It is used in dentistry, and because of its non-conducting properties, it is used as insulation for marine and underground cables.  Past uses include golf balls and jewelry. )

 

The right corner of the display table and screens behind the table exhibit U.S. Presidential and other political memorabilia pieces. These items include memorabilia pieces for Presidents George Washington, Andrew Jackson, William Harrison, Abraham Lincoln, James Garfield, William McKinley, and Franklin D. Roosevelt.  Other political memorabilia includes pictures remembering Napoleon and a funeral badge for John M. Pattison, Ohio’s forty-third governor who was inaugurated in January 1906.  The rigors of the campaign left him in poor health and he died on June 18, 1906 after only one session of the general assembly.  Archival pieces include postcard illustrations and a poem, “The Dying of a Soldier.”  “Drape” is pressed glass which commemorated the death of famous people. The drape pattern (emulating crepe drape hung in homes) was different for each person for whom commemorative pieces were designed. Pall bearer’s gloves and badge were both part of the formalities of the funeral service.

The section to the left of the presidential items includes archival pieces such as memorial cards; sympathy cards, mourning stationary; a remembrance certificate with angels (circa 1910);
funeral home memorial cards with gilt printing on black cardboard (circa 1885); black, lacy die-cut French memorial cards; casket plates; and books on mourning.

   

 

The left section of the table is devoted to books and catalogs that would have been used by undertakers.
After the early 1800’s, mourning customs turned away from the dark warnings of impending death (as seen in the pieces on the display screens when you first entered) and shifted more toward expressing love, respect, and celebration of the  deceased’s life through beauty.  Popular symbols of death that were considered beautiful included the weeping willow tree, urns, and tombstones.  Churches, being the central point of their spiritual journey from life on earth to heaven, were often included in pictures.

 

On the display screens in the closetTop row left to right - watercolor on paper, hand-painted; hand-painted on cloth; lithograph published by J. Baillie.  Next row from left, four small pictures – very finely-stitched, small oval, memorial picture dated 1790; embroidery and counted cross stitch dated 1625; two perforated paper pieces, cross stitched, one for Peter Smith dated August 12, 1853 and one for Mary.

Bottom row on left – Simple pen and iron gall ink drawing; center – large, round, finely embroidered picture, a memorial for three siblings who all died in 1805 just weeks apart – Lucy Teel born 1799, died October 2, 1805; John Adam born 1802, died September 24, 1805; and Anna Teel born 1804, died September 21, 1805 leaving behind both grieving parents; and on right – Hand-painted on cloth, never completed with a name

The hat has a mourning veil that is hip length. Displayed under the veil are some mourning accessories – fan, mourning pins of steel and glass (late 19th century) used to close clothing, mourning handkerchiefs, a mourning hankie purse, and graduated, faceted jet bead necklace.
The photocopy of the May 1888 Harpers Bazar shows mourning fashions of the day.
   
   
 
A large framed pen and iron gall ink piece recounts the tragic accident that took the life of Samuel Garfield born on June 5, 1880 and drowned on April 30, 1895