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An exhibit of crèches
from the collection of Clarisse Hicks of Greencastle |
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| For most Christians, the Christmas Crèche is the season's most enduring religious image. The French word crèche means crib or cradle but has come to mean the set of figures used to depict the story of Christ's birth. |
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St. Francis of Assisi is credited with having started the nativity scene in Italy, about 1223 AD using live models and animals. By the 16th century, crèches using figures became a widespread custom in France and then spread to other European Countries. |
| The custom came to the United States in the 18th century as immigrants brought crèches with them from their country of origin. Western migration brought Christians into contact with the Native American cultures. The crèches created by them reflected their activities, dress, dwellings, and native animals. Likewise, the Nativities of Africans and Asians, influenced by Christian missionaries, also imitated their lives and cultures. |
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In whatever time or culture the crèches were created, they provided a way for humans to experience and know the mystery of the birth of the Son of God. |
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| Clarisse Hicks is sharing a portion of her collection that now numbers more than 50. Most are handmade by artisans from many countries around the world. The collection started with her childhood set from the 1940's. Crèches belonging to Pam Ott, Ursula Sterner, Sylvia Shives, and Bonnie Shockey are also included in the exhibit. The crèches are placed throughout the museum. | |
